Notes

ACCOMPLISHED TODAY: research; almost finished editing "take charge of your kitchen and still have a life" cook book, love it; reviewed children's backmatter; no meetings, if you can believe it.

We have a team meeting next Friday to discuss point of view. As I mentioned, it's been on my mind. I pulled out pages of old notes on the subject today. Can't wait to go back over them. I was searching through my notes because I was looking for notes on subplot and resolution. Here are a few of the ideas that came to mind:

dominant impression - every major character needs one, lest they all look/sound/feel the same

plates - these are small questions you toss up throughout the story to keep the reader engaged/worried/questioning; the key is that they all must be answered; it's the classic "gun on the mantel" issue - if there's a gun on the mantel, it's got to be used at some point; all plates should be resolved before the story climax.

subplots - these are fantastic; just make sure the reader doesn't become confused as to which is the main plotline; the first subplot usually has to do with the protagonist's inner struggle; there's usually another that the antagonist is "in charge" of; subplots should also be resolved before the story climax.

more on general story resolution and open-ended questions later...